Showing posts with label Flanders Poppies. Show all posts
Showing posts with label Flanders Poppies. Show all posts

Friday, 29 August 2014

Poppies In Flanders Fields . . .


Please feel free to pin or download and print this high-resolution A4-sized quotation


The Poppy is the August Birth Month flower. But it has also been adopted as the Symbol of Remembrance, honoring those who have sacrificed their lives in war.

So, as we commemorate the centenary of the outbreak of the First World War this month, it seems appropriate that the quotation should be from one of the most poignant poems about 'The Great War', the war that was supposed to end all wars.




You can read about the author, a Canadian physician, 
and how he came to write the poem after the Battle of Ypres, 







Wednesday, 30 June 2010

The Industrial Landscape of South Wales

This morning I went out with the walking group and we took the same route across the Castle Meadows to the Garden Centre that my son and I followed on my birthday. The ponies were still there with their foals


- but almost hidden under the trees, probably trying to keep cool as the weather has turned very sultry in the past few days.



Some of our walking group are literally 'walking their way back to health' and others are considerably older than I am so at that point we took a turning down a pretty lane that would bring us back in a circle to the Meadows again - and the Coffee Shop! However, on my birthday, no such allowances for age and infirmity were afforded me and my son and I toiled on up the side of the Blorenge to the Brecon & Monmouth Canal at Llanfoist Wharf - with me doing most of the 'toiling'!



(I took this photos this morning when I spotted a couple of wild poppies surviving in the clay soil!)

In fact this print is of one of my pastel paintings of Goytre Wharf, the next stop along the Canal from Llanfoist -


I rarely use so much green in my landscape paintings but it seemed to be the only way to convey the refreshingly cool shade under the trees on such a hot afternoon and it turned out to be one of my favourite paintings - the original now sold to a man who works on the waterways.

When I first moved here, it came as a surprise to me to find a canal in this part of the world. I had always associated canals with the industrial areas of The Midlands and the North of England and from everything I've posted so far about Abergavenny and its mountains and meadows, you'll very probably have formed the impression, as I did, that it's a rural area. The economy of the constituency of Monmouthshire is described online as 'agriculture and tourism'. But if you go just over the brow of the Blorenge, which I can see clearly enough from my windows to watch the hanglgliders and microlites descending, you find yourself in an area so well known in the past for its industry that it has become a World  Heritage Site on a par with the Taj Mahal!

As you drive up the steep side of the Blorenge, through the village of Llanfoist to former coal-mining town of Blaenavon, negotiating the treacherous hairpin bend known as The Fiddlers Elbow, you can see, if you dare to glance out of the car window, the remains of the lime quarries that provided an essential ingredient of the iron and steel industry. The lime was taken down the mountainside by tram and then onwards by canal. I heard from an old farmer whose family had lived by the canal for generations that at one time, the barges also transported timber used for pitprops for the mines in the South Wales coalfield, and also, during World War One, for use in the trenches.

All that industrial activity ceased long ago and the canal is now a tourist attraction for pleasure boats and there are some beautiful walks and cycle routes along the towpath.

Another relic of the bygone industrial age remains when you reach the carpark at the top of the hill. As well as the stunning views of Sugarloaf in the distance, there is a pond which was built to provide a water supply for the lime kilns.






Nowadays it's a good place to sail model boats and a focal point of walks in the area.
 

But it's when you continue on into the little Victorian-built town of Blaenavon that the industrial heritage of the area becomes clear.

The Big Pit at Blaenavon is now a major tourist attraction - you can go down into the mine, though my first attempt to take some friends and their grandchildren down, failed because there had been a thunderstorm just before we arrived and it had knocked out the electrics! More than 300 tourists were underground when the power failed so the lifts weren't working! Fortunately there is an emergency escape route, but the decision had been taken to suspend the underground tours for the rest of the day.

There is plenty to see on the surface though,  including the miners' bath houses (with soundtrack!) and a virtual tour of the mine, complete with sounds of the explosions. All a little too realistic for the six-year old who was clutching my hand! We did manage to go underground on our second visit, which I didn't entirely enjoy but I'm glad to have done it.

A couple of years ago, the BBC made a wonderful series of programmes, called The Coal House, about the lives of the miners in which three families lived as mining family in 1927 for a month, with no 'mod cons' as we know them, and the series was made at Blaenavon. One of the boys I was teaching at the time, was in the crowd of local residents who greeted the families as they emerged into present day living at the end of the month. It was compelling viewing and little Rhodri became well-known for his 'I don't like piggies!' Sadly, I haven't been able to find the relevant hilarious video clip - maybe the celebrity status it was causing was too much to handle for one so young?

The interesting thing was that, when the families met up a few months later for a follow-up programme, they all agreed that, although life was hard, often unimaginably gruelling, they were happier than in their 'real' lives because of the sense of community that we seem to have lost nowadays.

As landscapes go, I generally prefer 'working' landscapes to the more 'park-like' ones but that usually means farms and so on. The pastel painting from which I made this print goes just that little bit further....


If all this industry isn't to your taste, you can come back to the 'meadows' by watching this video clip of Iolo, a very popular Welsh TV wildlife presenter, in the orchid meadows of neighbouring Monmouth!

Tuesday, 29 June 2010

Poppies


Poppies seem to have a particular appeal for artists.


Monet certainly painted them several times but he's not the only one; they seem to be an 'easy' subject for amateur artists too, maybe because those vivid red splashes of colour are so easily identifiable and make such an immediate impact?

Then again, in close up, they are, to my mind, the unbeatable champions of 'gesture' in the floral realm and it's for that reason as much as their colours that I love painting them.


But I grew up believing that all poppies were a pale orange colour. They seemed to grow everywhere - in our garden, in the paths, on bombsites and waste ground. And I always loved them, not so much for their colour as for their graceful curving stems and nodding heads, that made them seem somehow more alive than other plants. I never really associated those poppies of my childhood with the flat red artificial Flanders poppies that we wear on Remembrance Day.

But in Norfolk I was introduced to red poppies, sometimes called Shirley or Corn Poppies, in all their glory! And I painted them. But unfortunately, my pastel painting of poppies and daisies on the edge of a North Norfolk cornfield, was framed and given away long before I had a scanner so the best I can manage is a scan of an old pre-digital photo of it -


As you travel towards the North Norfolk Coast, outside Cromer and Overstrand, you really can't miss the red swathes of poppies growing wild in the cornfields! In fact a 19th Century London journalist, Clement Scott, came to Overstrand in 1883, fell in love with the poppies, as well as the local miller's daughter, named the area 'Poppyland' and wrote about it in the Daily Telegraph.

A friend in Hereford is lucky to be able to grow these black-centred, scarlet poppies in her flowerbeds -


- which gave rise to these:

Garden Mug mug
Garden Mug by helikettle
ceramic mugs made online with Zazzle

And a local neighbour's large, oriental-type poppies have been immortalised in this oil pastel painting, as greeting cards, mugs and even shoes!




I've tried to grow poppies from seed in my garden in Abergavenny with no success at all - the same goes for cornflowers which have thrived in my previous gardens so I suspect the soil is too heavy. My only success has been with the Californian variety, which I'm very fond of,


- so last year I raised some Icelandic Poppies from seed indoors and planted them in tubs and pots outside my kitchen door, where they flowered cheerfully and resulted in my most popular watercolour greeting card -

 
  
However they didn't seed themselves as I'd hoped so I was pleased to find some for sale in pots at the Garden Centre my son and I visited on my birthday before we came across the ponies. I was also somewhat bemused to see pots of these for sale -
- surely a weed by anyone's reckoning (though one definition of a weed is 'a plant growing in the wrong place'!)

It would have been far cheaper to have grown my poppies myself but time has been short this Spring so I dutifully paid the price with my voucher and we carried them in carrier bags for the rest of our walk, trying not to damage their fragile petals.



They survived and once they'd settled in to their new homes in the pots by my door, they've begged me to photograph them daily!




It's not always been easy to capture their brilliant, almost translucent colours - I'm sure that a more professional photographer would have found a way - but these are just a few that came out reasonably well -






I think I'm going to try following this advice and, if the seeds are still available in the shops, I'll sow some in pots, ready for next year...

These are some of the greeting cards in which I've tried to portray the 'daintiness' that is part of their charm -

 

As for these, they show a different, more flamboyant aspect of the poppy's personality, I think!
 
 
And, by the way, if anyone would ever like to use any of my photos, flowers or otherwise, as a reference for painting or drawing, just send me a message and I'll gladly email you a larger version.