Showing posts with label masking fluid. Show all posts
Showing posts with label masking fluid. Show all posts

Sunday, 29 January 2012

Early Flowers and Late Flowers - Snowdrops and Nasturtiums

Nasturtiums are one of my favourite flowers.

They go on flowering well into the Autumn and as the afternoons grow shorter towards winter, I've often been cheered by their bright glow in the dusk as I look out from my work. So after the trials and tribulations of piecing together my repeating pattern last week, I was all the more determined to bring that experience to an outcome that I'd be pleased with.

And this is it: the tracing from last week's post with colour added!




And here is the Messenger Bag that this was originally designed for:

You'll see why I needed a large area of repeating pattern, if you go to my:

blog

- where you can see the whole of the back of the Messenger Bag, as well as a range of sleeves and planners that complement it.

Of course, as I love creating pretty tea pots, pitchers, mugs etc, the design also found its way onto some of them as well - not forgetting a few greeting cards -




Pleased as I was, in the end, with my 'Summer Garden' design, I hoped to move on to something less challenging for my daughter's birthday card.

Her birthday is in February, the month that I always associate with snowdrops. Lord Alfred Tennyson called them 'Fair Maids of February' and, delving into my huge old file of screenprinting designs that I've hoarded since the 1980's, I came across this scruffy little tracing -

This was great news as, although I have crocuses flowering in my garden, there's no sign of the snowdrops from previous years and I read somewhere that they don't like heavy clay soil - which is precisely what ours is!

So, on Friday afternoon, I scanned the tracing, enlarged it, printed it out and traced it again, ready for the lightbox. I was undecided about the best way to go about painting the blue background, which I could see would be interminably fiddly with all those stalks and petals to paint round - especially as I'm not a person who enjoys working meticulously, especially in paint!

One option would be to make a collage, but again, those stems would mean a lot of tricky cutting! Another way would be to use masking fluid, but I only use that when nothing else will do because it ruins brushes and is sometime difficult to get accurate enough. Then I happened upon a solution in Alison Kolesar's blog:  Jumping in Puddles, where she suggests painting the whole background wash in transparent watercolours and then using gouache to paint the light colours - in my case the flowers.

So that's what I did and I was very happy with my beautiful, sunshiny sky-blue background - until I scanned it and 'Technology' let me down again! As I found with some of my seaside collages, my scanner seems to be unhappy with light blues and greens in close proximity and makes as real mess of them. 

No amount of adjusting helped to put this right:



So I'll leave you to wonder if and how I'll manage to retrieve this dismal attempt at a birthday card for my daughter . . . watch this space!

. 

Saturday, 17 April 2010

Mucking around with masking fluid and salt again!

 The weather has been so gorgeous recently that it seems a real shame to stay indoors working and I took the opportunity this morning to go out and take photos of the flowers in my garden. This one is the pear blossom, just beginning to come out -

But I'm determined to use the time while I wait for people to respond to my advertising for 'card sellers' for my partyplan scheme, to stock up my GCU and Zazzle stores. It does seem that those with the greatest number of cards in their stores make the most sales - and in any case, painting and drawing are hardly 'work' as far as I'm concerned, although I often feel surprisingly tired at the end of a painting session!

A while back I bought a masking fluid pen but I hadn't got around to trying it out until I had a little bit of time to spare yesterday. I have an idea in mind for a series of designs that will be made much easier if the pen does what it's supposed to but the instructions suggested practising before embarking on something important. So that's what I did - and thank goodness I did! It was actually quite tricky to use. The instructions said 'do not squeeze' but nothing came out at all unless I squeezed the bottle slightly all the time!

I'ts going to take some practice to get the flow really even. But in fact this 'design' didn't really necessitate a lot of accuracy - it was more of a 'doodle' really!

However, with further experiments with various types of salt as well, I liked what happened enough to use it to create some keds shoes -


I'm not sure where the idea for this next little collage came from but it's been pestering me to let it out of my head and into the public domain for quite a time. I think it may have something to do with the way I felt like the proverbial fish out of water when, years ago, I lived in the 'commuterland' of the South East because nobody I knew seemed to understand my need to paint and draw and generally do things creative. I was a lot more comfortable when we moved to Norwich, where even the surveyor who helped us with the plans for our loft extension painted in watercolours and the cleaning lady painted mandalas - and told me she found cleaning the brasses a 'meditative' experience! A reassuringly different world!


This one didn't take long compared to most of my other collages but even so it was long enough for me to discover, without any room for doubt, that it's the cutting of the paper that has been causing my back to object rather vociferously in the past few months. Somehow I'm going to have to find a different way to cut the paper - or give up on collage, which I obviously don't want to do!