Thursday, 7 November 2013

Eighties Style – the Good, the Bad and the Downright Awful!




A personal reminiscence -

Hearing the 1980s referred to as ‘retro’ or even ‘vintage’ is a timely reminder of my age – to me they don’t seem all that long ago! But then the years and the decades seem to kind of fold into one another, like a telescope, as one gets older. 

And maybe it’s because I still have a drawer full of tapes of 1980s pop music, Madonna, Bruce Springsteen, Neil Diamond, Dire Straits, The Communards, The Pet Shop Boys, Manhatten Transfer, E.L.O. – have I forgotten any of the ‘greats’ of that era?

It may surprise you that I have all this music on tape. 

After all, the 80s was a decade of technological innovation that included the introduction of Compact Discs. But I needed my music on tape to play in my car, even then. As well as CDs, there were the video recorders, the early mobile phones the size of a brick, and the first home computers. The 'Commodore' and the 'Amstrad' stick in my mind - with white text on black! 

But the first one I bought, purely for my family to play a single game, was a Sinclair ZX Spectrum - and you needed a tape player and a television to use it!

On the other hand,when it came to some aspects of daily life, particularly things to do with design, it was an era when many looked back to more elegant times than the Sixties and Seventies. 

These were ‘The Thatcher Years’ – something I’d prefer not to dwell on except inasmuch as they gave the comedian Ben Elton plenty of material for his marvellous stand-up comedy and who can forget Spitting Image! 

But maybe that's why this decade was the age of the ‘yuppy’? And at least to begin with it was the yuppies who went in for a fair amount of ‘gentrification’. 

They bought properties in run-down but convenient areas, in particular in London’s Docklands around Canary Wharf and refurbished them in what was then called ‘vintage’, harking back to the Edwardian or Victorian style.




Shopfronts were often 'gentrified' too. Chic dark-coloured paint appeared everywhere in the High Street, black, maroon, navy blue and above all dark green, usually in combination with gold-coloured lettering. 


Dark green cookers appeared in showrooms, again with plenty of old-style brass embellishments. The new ‘boutique-style’ shops like ‘Knobs and Knockers’,  ‘Sock Shop’ and 'Tie Rack' seemed to suggest good old-fashioned quality – but with a modern, slightly humorous twist. 

Newly-built supermarkets began to look like overgrown brick-built houses with pitched, tiled roofs, described in architectural terms as ‘vernacular’, instead of the impersonal concrete blocks of the previous decades. 

I spent a couple of years in the early Eighties studying Interior Design. And soon afterwards, I undertook my first major home renovation, using what I had learnt on the correspondence course to 'put back the style' in an Edwardian house. It’s a style I love, partly because it accommodates my somewhat untidy and squirreling habits! 

But what did we wear in the ‘80s? 


One thing’s for sure, our fashions didn’t get the same ‘gentrification’ treatment as our bricks and mortar! 






Power-dressing was maybe the most remembered theme – the huge shoulder-pads and ‘big hair’ as sported by the cast of Dallas and Dynasty! If you think that huge shoulder-pads are horrendous, what about the shell-suits that seemed to pop up everywhere!





Men’s clothes, on the other hand, seemed to go in the opposite direction, becoming less formal, with softer outlines and maybe even slightly ‘feminine’! 




For most women and girls, this was the era of leggings, leg-warmers and slouch socks, which I owned in abundance, the perfect disguise for my somewhat thin ankles, all bought, of course, from Sock Shop! 




Men’s shoes tended towards the casual – often in light colours, worn with white socks; ‘dockers’ were popular for men and women alike.



Trainers replaced plimsolls and ‘gym shoes’ and morphed into an everyday style of footwear. Designer labels began to be enormously important and were worn visibly and as part of the design on trainers and sports bags. Sadly even quite young children would be mortified if asked to go to school in trainers that were perfectly good but didn’t sport the right label.

If the Sixties and Seventies are remembered for their revolutionary ideas, such as ‘Free Love’ and ‘Feminism’, the Eighties stands out for me as the decade when feminism was rarely talked about any more but when women en masse read books like ‘Women who Love Too Much’ and ‘The Cinderella Complex’ – packed their bags and left their frequently uncomprehending husbands!

But sandwiched between the ‘winter of discontent’ of the Seventies and the ‘grunge’ of the Nineties, my memories of the Eighties are mostly of the optimism expressed in the term, 'Yuppie' – even though I was neither particularly Young or Upwardly Mobile myself. 

What do you remember most about the Eighties?





Thursday, 31 October 2013

e-Interview with Photographer/Graphic Artist, Tracie Kaska




This month Tracie Kaska, photographer and graphic artist from Utah, agreed to take some time out for this e-interview, in spite of various technological and domestic crises that cropped up to make her life even more hectic than usual!

Tracie's Greeting Card Universe store 
Tracie's Zazzle Store


Tracie, first of all I want to thank you for taking the time to answer my questions when you were contending with retrieving all your images after your computer crashed - a photographer's worst nightmare, I should think. Very pleased to hear that you managed to restore them all!

So let's begin at the beginning: when did you first realise that you were an artist?
My mom and grandma have been a huge influence on me from a very early age. They would oil paint together, and I loved to watch them. My grandma spent time teaching me how how to draw, crochet, embroider, and paint ceramics. My mom showed me how to make art out of ordinary every day objects. I remember drying out glue inside my desk at school so that it would turn into a clay like substance. I would create little figurines out the concoction, then I would paint them with colored markers. I wonder if the time I spent doing these little art projects during class is why I failed math!
If it was, I don't suppose that has held you back too much, has it? I think it's great that your creativity blossomed so freely like that.



What is the most important thing you have learnt on your journey as an artist and from whom did you learnt it?
The best advice I have received has come from my mother, "Do what works when it works, when it stops working, do something else." People are fickle creatures, what they love one day, they find boring and dowdy the next. I try to stay flexible and divide my time creating what interests others and what I personally enjoy. That way my sales stay consistent throughout the year, which is important when you are trying to feed 5 children.

What is your favourite medium?
I would have to say photography. I take pictures of everything including my other art projects. This first thing I sold in my zazzle store was a photograph of a quilt block I had made for my daughter of an appliqued gingham dog.



How long has your business been up and running?
I opened my first store  a little over 2 years ago. 

Where do you sell your work?
My three main stores are at Greeting Card Universe, Zazzle, and Fine Art America. I also promote other artists on my website focusing on girly business cards.







Do you find that the business side of things takes up more time than you would like?
Although creating is my favorite part of of the process, I don't mind the business end most of the time. I try to incorporate art into it as much as I can to keep it interesting.

Are you working alone or do you have help?
I work alone to the most part, but my family is great for coming up with new ideas. They love it when I use some of their artwork for my projects.



I love that my job is the same thing I would do to unwind. I love being able to say, "Could you please take the baby? I really need to get some 'work' done!"

How many hours per week do you work?
This is definitely a full time job. I bounce back and forth between my computer and household responsibilities all throughout each day.

Do you have regular contact with other artists?
I think this part is essential. I don't think I would have made it as far as I have if I hadn't sought input and advice from others in this field.




Do you have a favourite quote, art-related or otherwise?

"Forgiveness is the fragrance that the violet sheds on the heel that has crushed it." Mark Twain. 

I really like that one, Tracie - I've never come across it before. Where did you find it?
My grandma shared this quote with me and it has stuck with me through the years. Although I apply it to my every day life, I also apply it to my art. I love turning something that seems like an unforgivable mess into something beautiful. One of my favorite textures I apply to my projects started out as a 
photograph of one of my *blush* extremely dirty windows. Why I took a photo of it in the first place I have no idea! I think you had 'vision'!



And finally, what are your plans for the future?
I want to keep learning new skills and continue growing as an artist. 

I'm sure you'll do that, Tracie, and I'm sure all our readers will join me in thanking you and wishing you all the best for the future - and especially no more computer crashes!








Thursday, 24 October 2013

Time to Nurture your Creativity

A few weeks ago I was chatting with a young mother who works in my bank. ‘I used to be creative’ she told me, ‘when I was young’. 

And it reminded me of a question I’ve often been asked, ‘Have you always been creative?’ 

To me it seems like rather an odd question, suggesting that we can start our lives as ‘non-creative’ and later become ‘creative’ – I believe that is the wrong way round.



When you think about some of the core aspects of ‘creativity’ – curiosity, imagination, the ability to play, for instance, isn’t it obvious that we’re all creative when we’re young? We were probably born that way.

But sadly, somewhere along the line, probably during our 'socialization' stage, our creativity got stifled or crowded out by the need to become ‘responsible’ and take a ‘sensible’ path through life. And often that’s the easier option too.

Allowing our creativity to flourish doesn't always lead to an easy life!

For instance, it can cause what I call, ‘Ideas Overwhelm Syndrome’ when we become painfully aware that there simply aren’t enough hours in the day, or days in a lifetime, to carry out all the ideas that pop up into our consciousness - leaving us feeling overwhelmed! (If you are plagued with this syndrome, just google 'overwhelmed by ideas' and you'll find you are far from alone and you might even find some good coping strategies!)

And while on the one hand, we encourage creativity, and rightly so, we need to be aware of what it involves. 

As I wrote in a recent post, to nurture our creativity we must be prepared to allow time to daydream. But we also need time to experiment, time to make mistakes, to get it wrong, to take the risk that an idea won’t work out, time to allow the seed of an idea to germinate. Time that we may easily feel that we are wasting, especially in this fast-moving 'Internet Age'.

None of us likes to feel that we have wasted our precious time!!! I may be wrong but I have the impression that women are more inclined to feel guilty about wasting time. I certainly believe that we women have more difficulty than men when it comes to allowing ourselves to play.

Some years ago I knew an artist, a doctor’s wife, who came to an art class I attended even though she was already a very competent artist and she mostly just set up her easel in the corner and painted, oblivious of what was going on in the class. She travelled some distance to come to the class and when asked why she did it, she explained that she felt guilty and self-indulgent painting at home, especially if her cleaning lady was working around her. But in the class, everyone was doing it so she felt it must be OK.

The rest of the class ‘gave her permission’, as it were. 

We all need to give ourselves permission – and time! - to play, to make mistakes, to make a mess, to daydream, to let our minds wander away from the ‘sensible’ the ‘responsible’ to immerse ourselves in exploring an idea, leaving behind our  ‘destination consciousness'. 

It’s true that it’s so much easier to do it in a group. But if no group is available, we need to do it anyway. 

Are you giving your creativity time to flourish?


Thursday, 17 October 2013

Why 'Posh & Painterly'? Good Question!


POSH!

I’ve lost count of the number of times I've been asked, ‘Why did you choose the name Posh & Painterly for your business?’. So I think it’s time I explained!

Spare bedroom rug
When I started working on my new portfolio website , I needed a ‘brand’ name. Obviously I wanted it to be a name I could identify with, something that would reflect my ‘Signature Style’.

But that’s where I got stuck! 

I seem to have so many quite unrelated styles that I couldn’t possibly find a name that covered them all. This time last year I was so desperate to find a common thread running through my work that I wrote a blog post about it, hoping that someone would identify something that I was missing.

Fortunately help was at hand in the form of a suggestion from the Surface Pattern Course I took last winter. We were advised to look at our wardrobes and our homes and see if they gave us any clues.


Luckily mine did straight away!

And here is what I noticed . . .


My Norwich house - quilt and cushions from 'Country & Eastern'

My Hereford house, this time the quilt is plain because the wallpaper is 'painterly' - the Country & Eastern cushions remain!

Two of my favourite shirts - both decidely 'painterly' but both made in India!

The name that immediately came to mind was ‘Country & Eastern’. 

(Country & Eastern is the name of one of my favourite shops. When I lived in Norwich it was just a small shop in one of the alleys but already a wonderful source of gifts, to give and to receive.)

Both the way that I dress and the way that I furnish my home reflect my liking for florals, bold and painterly as well as dainty mini-prints – hence the ‘country’. But there’s also more than a hint of ‘Eastern’ in my favourite clothes and in many of the ornaments and furnishing in my home, some of which came from that lovely ‘Country & Eastern’ store.

So that would have been a perfect name – and I like the touch of humour too! – if only it weren’t already taken! But at least it gave me something to work with and ‘Posh & Painterly’ represents my dual styles just as well.


This photo I took in my Abergavenny Dining Room encapsulates 'Posh & Painterly' for me!

POSH – at school we were taught that ‘posh’ stood for ‘Port Out, Starboard Home’ – the preferred cabin position of the gentry sailing 1st Class to India, that gave them shade on each leg of the voyage when passing through the Suez Canal. I’ve discovered that this a myth but it’s such a lovely definition, I decided to keep it.

PAINTERLY – here’s one definition: Characterized by qualities of color, stroke, and texture rather than of line. And here are some more details – Painterly Definition: http://painting.about.com/od/artglossaryp/g/defpainterly.htm

Looking at my patterns, I think those two words cover most of my styles, one way or another. 


And somehow we know when a name feels right, I think, and this one did straight away.


and PAINTERLY!




Hope you'll agree!

Christmas Cards - Hand-painted Paper Collage Designs . .

Friday, 11 October 2013

Decorations for Abergavenny Food Festival, 2013



Once again the Market Hall in Abergavenny is looking resplendent! 


Some extremely ‘crafty’ and talented people from Arts Alive Wales have decked it out beautifully for the Food Festival that took place a couple of weekends ago. 


But unlike last year, when I only looked up and noticed the wonderful decorations six or so months after they were put up, I’ve already been to the market with my camera!



The leeks are my favourite . . .


. . . with the cauli running them a close second. 


Which do you like best?