A Winter Colour Palette

We haven't had any snow yet, here in Abergavenny.

But we've had some very cold days, brightened by lovely blue skies and a heavy dusting of frost that sparkled in the winter sunshine.

Unfortunately, I haven't been too well over Christmas so I haven't been out and about with my camera. But here's a wintry scene for a cool and sophisticated colour palette -

It's a photo I took of the lake in Dunorlan Park, Tunbridge Wells, on an ice-cold December afternoon, before the days of the digital camera! And in spite of the freezing temperature, the hint of pink in the reflections of the setting sun, as well as the sun-shiny blue of the sky, give the touch of warmth needed to use this as a colour scheme for all sorts of design projects, even for home decor.

Here are some patterns I've created using this scheme - 

Dunorlan Park Quirky Polkas

Dunorlan Park Chevrons

Dunorlan Park Stripes

I think they have a distinctly Mid-Century feel and they are high-resolution .png files (20" x 20", 300 dpi). 

So please feel free to download them if you have a use for them - enjoy!

Is Small Town Fashion behind the times?

When you get to my time of life, you tend to wear clothes that suit you and hope that perhaps some up-to-the-minute accessories will prevent you looking utterly dowdy!

This is the sort of 'country style' I would expect from a small town in Wales with just a nod towards recent fashion with the Tangerine scarf and the Black and White dress. Not one of these colours is from the Pantone Spring/Summer 2013 forecast though.

I have absolutely no intention of dressing in Neon Yellow - or any other Neon colour, for that matter! And I'll gladly leave platform-soled shoes behind in the Seventies. 

Still plenty of stripes, polka dots and checks are everywhere. But the only sign of the chevrons that I've noticed abounding on shopping websites, was on some Kleenex boxes!

So noticing the latest trends in our local shops hadn't been a priority for quite some time. 

I found a lot of this very bright blue for both womens and menswear. (It was such a sunny day when I took these photos that reflections in the shop windows were a problem and made some of the blues look less bright than they really were.)

Once again the British Heart Foundation charity shop (check shirt, blue skirt and 'Poppies' floral dress) had clearly made more effort with their window-dressing than any of the other charity shops!

But then came the Surface Pattern course I took last winter. And it set me exercises that sent me off to the shops with my camera for precisely that purpose. 

Bright Pink with Turquoise seems to remain popular in spite of not being what Pantone forecasted!

And when I put on my 'designer's hat', it's useful for me know what people are looking for. 

Black and white was by far the most obvious 'trend' and I thought it was quite a novel idea to apply it to a nautical  pattern (the anchors) instead of the usual navy blue.

Abergavenny is a very small town. But it has plenty of upmarket, locally owned boutiques as well as small branches of some of the national chains. Quite a good cross-section of the clothing market, I think.

These I love! In fact I have a genuine 1930s aubergine-coloured lace dress in this style tucked away somewhere in my loft. I always intended to get  it repaired so that I could wear it but it's one of those things I never got around to.

The question is: Do I look to the online trend reports with their super-skinny models and fantastical clothes that often look as they've come straight from the costume hamper of a pantomime? Or do I look to the shops to see what people are actually buying? 

And, most importantly, is there a difference?

What do you think?

Spring 2013 - What's Trending Where You Live?

One thing I learnt as a result of the Art and Business of Surface Pattern Design course is to keep my eyes open and my camera at the ready, even when I go shopping!

I live in Abergavenny, a small market town in South-east Wales, not far from the border with England. Abergavenny is known for its 'Markets, Mountains and More . . .' and if I walk into town on a Wednesday morning, I hear the sounds of sheep and cattle from the livestock market on my way. And from the park I cross on my way to the shops, I can see Sugarloaf, Skirrid and the Blorenge, the three mountains surrounding the town.

Not exactly the kind of place you would expect to find high fashion in the shops. But in fact, Abergavenny has far more shops than you might expect in a town of fewer than 15,000 inhabitants. And there's a good variety, ranging from quite a classy little department store and independent boutiques to small branches of most of the national chains.

I've been too busy to venture outside of Abergavenny for a while so I don't know how its shops compare with other places, but my impression is that most of the shopkeepers have at least some awareness of what is currently trending.

So here are some Trend Boards I've made from photos I took in town this week and you can decide whether or not Abergavenny's style is up-to-the-minute or lagging sadly behind!

My first impression was that there was 'Nautical' or 'Coastal' everywhere. There is certainly a lot of denim, canvas shoes, boater shoes, more denim, blue and white, even more denim - and 'deckchair' and 'matelot' stripes. But I also found some butterflies - on mens' clothing, unfortunately too small to show up here.

There are also a lot of 'Conversational Prints', which anyone who read Part One of Repeating Patterns for Painters, will know are patterns with everyday objects as motifs. Today I saw sailing boats, bicycles and paper aeroplanes on men's clothing! And I was pleased to find mini-prints that could have been Laura Ashley's in the Sixties and Seventies.

There is almost as much 'Tribal' - mostly in black and white and again, lots of stripes.

These were the shop windows that initially caught my eye. Not all of the green is Pantone's Tender Shoots Green and I think the yellow may be more influenced by Wales' national symbol, the daffodil, than by Pantone's Lemon Zest. But it all looks lovely and spring-like. There are bright green trousers for men and even the charity shop's window sported various shades of green, teamed with check shirts.

I finally spotted some Tangerine Tango in Abergavenny - better late than never! It was almost always teamed  with bright pink, one of my own favourite colour combinations.

Reds ranged from Pantone's Poppy Red in the department store window, through rusts and Burgundy to Aubergine. And there are still plenty of large florals, polka dots and lace.

Turquoise abounds in Abergavenny, often in combination with pink and white - checks, polkas, florals, and some with a definitely 'oriental' feel about them! If the green and yellow feel springlike and the orange and pink combination reminds us of roasting high temperature, this turquoise, pink and blue palette is somewhere in between.

In fact, I've got my eye on that check shirt - it's just the sort of thing that I'd be likely to wear a lot when the weather gets warmer. But after last year's wash-out of a summer, I feel it would be tempting fate to buy something so summery while it's still snowing outside!

So what's your verdict?

Are Abergavenny shops keeping up-to-date?

And what's on offer where you shop?

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Watersoluble Crayons - Perfect for Autumn Leaves!

In a few days’ time, here in the UK, we will be putting our clocks back an hour as we come to the end of BST – British Summer Time.

Not that it’s been much of a summer and the little there was of it seemed to give way to autumn very easily and promptly this year! And even the autumn has been wetter than usual, with fewer than usual bright, crisp days to show off the changing colours of the trees in all their glory. The usual ‘carpets of gold’ have been replaced this year with something rather more soggy and mostly less colourful.

But there have been a few of those ‘golden’ October days, though I’ve never happened to be out with my camera on those days.

So one day recently, when I was waiting for some paint to dry on an illustration I’m working on, I suddenly had the idea of getting out my watersoluble crayons and creating some autumn colours for myself.

 

It really was a case of ‘mucking around’ and only took a few minutes. I’ve had these wonderful crayons for some months now but never had time to really explore their possibilities.  On this occasion, I loved the way I could add water to some parts to make a smooth wash, while leaving other parts in their original, raw, crayon-like state!

After scanning and cleaning up, I used Photoshop to make a 'half-drop' repeat template from them -

- which I then repeated over and over again to make a basic pattern.

By making the white parts transparent, it was easy to try out different background colours. I started with my usual favourite deep blue that I often seem to use in conjunction with orange. But then I became a bit bolder - after all, when you are working digitally, there's no expensive paper or paint to waste!!

Perhaps surprisingly, this one turned out to be one of my favourites -

Next it was time to create some coordinating patterns.
Instead of the summer-y check ginghams I've been making to go with some of my flowery patterns, I felt that a  houndstooth check would be more appropriate; warm and woolly for those days when there was a definite autumnal chill in the air.

And then, by this time firmly in experimental mode, I went on to have great fun with this rather more complex than usual stripe!

And finally, the real fun bit - putting together all the patterns that resulted from that first quick 'scribble' with the watersoluble crayons -

I could have gone on and on - adding a matching polka dot pattern or some conventional stripes - where does one stop?

What has really surprised me is how easily the handpainted and the digital elements work together! I rather doubt whether I'll ever be tempted to create a pattern entirely on the computer. But even with the rather meagre level of digital knowledge I possess, clever computer programs can open doors to pattern developments that would be practically impossible by hand.

Can't help wondering, though, whether William Morris's patterns would have been any different if he'd had a computer!